Jīn Dāng Qīng Wén Fǎ Yīn Zá Rǎo Tiān Zuò Yì Jié Zhī
These days it is a suitable tendency to hear stories of the Law (Fa)
and other news circling around about the Heavenly Throne Seat.
But there are a hundred million calamities affecting the
Zhòng YīShí Tóng Hùi Fēi Kĕ Jìn Zhī Yú Shì Yuán Shǐ Chuí Yī Zhèng Shì Mìng
Huáng Sù Yuán Jūn Zhí Fāng Guī Zhī
Therefore it is the same as a social assembly that it is not possible to ban.
It is correct at the Beginning (Yuan Shi) with one's garments hanging down,
to face squarely Life and Fate (Ming) in front of the Yellow-white Primordial Sovereign
(Huang Su Yuan Juan) [who was Lao Tan's teacher] who manages the directions
and compass-dividers of
Tiān Dì Zhēn Xíng Zhī Shì Chéng Zì Bái Sù Yuán Jūn Jī Dòng Yáng Zhī
Heaven and Earth.
In their true form of Branches (Zhi) they support the power to turn into
the pronounced words of the Plain-White Primordial Sovereign (Bai Su Yuan Jun),
striking up against the Cavity [when it is] thoroughly Yang
Zhōng Shí Fāng Hé Xiǎng Wàn Tiān Jiāo Chàng Zǐ Sù Yuán Jūn
so that, just like [the tolling of] a clock-bell, spreading out in all
'Ten Directions' (East South West North East-North East-South West-South West-North
Upwards and Downwards) is a harmonious sound that reaches the entire world.
Crying out in song, the Plain-Purple Primordial Sovereign (Zi Su Yuan Jun).
Chuí Hào Jǐng Zhī Zhū Dà Rú Shŭ Mǐ Zài Kōng Xuán Zhī Zhōng Qù Dì
Hanging down in the vast scene,
a pearl-bead with its size being like that of millet or rice,
by itself existing in the Void of Dark-Mystery (Kong Xuan),
all of it apart from the Earth (Di).